No outside sources for questions 1-3. An outside source is needed for question 4. Please provide a link to that material and provide page numbers and timestamps in citations.
Question 1. How do you understand Edgar Morin’s statement: “I thought we would start from a basis of truth and that an even greater truth would develop. Now I realise that if we achieved anything, it was to present the problem of truth. We wanted to get away from theatre, from the spectacle, to enter into direct contact with life. But life is also theatre, life is also a spectacle.” (Sam Di Iorio highlights this passage as well.) Highlight a moment in the film where you noticed something that resonates with this observation and explains your response.
Question 2. If Fredrick Wiseman’s primary interest is representing how people function within institutions, how would you describe Morin’s interest by comparison? Cite him to support your claim.
Question 3. Where did Morin’s ideas about editing the film depart from the vision of his collaborator, Jean Rouch? What was the rationale behind the approach of each filmmaker? What seems most important or interesting to you about this difference? (Note: This question is specifically about editing, as it is discussed by Morin in “Chronicle of a Film.”).
Question 4. Choose one of the films Sam Di Iorio
(Links to an external site.)
mentions as having been influenced by Chronicle of a Summer and do a little research about it. What did you learn? Include a citation or link to your sources.
Here is the link for Sam DI Lorio: https://www.criterion.com/current/posts/2674-chronicle-of-a-summer-truth-and-consequences
(Links to an external sitementions as having been influenced by Chronicle of a Summer and do a little research about it. What did you learn? Include a citation or link to your sources
(Links to an external site.mentions as having been influenced by Chronicle of a Summer and do a little research about it. What did you learn? Include a citation or link to your sources.
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